Amandine Beyer,Gli Incogniti
-
规格：46首
流派：古典
发布：2023-02-17
公司：Harmonia Mundi
专辑介绍:
海因里希·伊格纳兹·弗朗兹·冯·比贝尔（Heinrich Ignaz Franz von Biber）（1644~1704）是一名巴洛克时期的波西米亚-奥地利作曲家。他1644年8月生于波希米亚的瓦尔滕贝格，1704年5月3日卒于萨尔茨堡。早年他曾在奥尔穆兹大主教麾下效劳，1670年神秘莫测地离职，此后一直为萨尔茨堡大主教工作，起先任男童合唱教师，后任副乐长，1684年起晋升为乐长，1690年，奥皇利奥普德一世封他为骑士。比贝尔是世界器乐史上最重要的小提琴作曲家之一，被音乐史家Charles Burney称颂为十七世纪最伟大的小提琴作曲家。
《玫瑰经奏鸣曲》，又名《神迹奏鸣曲》，是比贝尔为小提琴和通奏低音所作的奏鸣曲。它包含了15首较为短小的奏鸣曲（由小提琴和通奏低音演奏）与一首帕萨卡利亚舞曲（小提琴独奏）。这套奏鸣曲应该写于1676年左右，但直到它在1905年出版之后才为人所知。后来，他成为了比贝尔最著名的作品。该作品在结构、技巧性以及变格定弦等方面都得到了较高的评价。
《玫瑰经》其实就是圣母圣咏，比喻祷文如敬献圣母的玫瑰花冠。这套奏鸣曲15首都按祷文的标题，从第一首《报喜》一直到最后一首《圣母加冕》，结尾则是一首小提琴独奏的帕萨卡利亚。
这个版本由阿曼丁·拜尔和格利·印可尼提创作，源自与罗萨斯公司的一个舞蹈项目。
艺术家介绍：
从几年前开始，阿曼丁·拜尔就被认为是巴洛克小提琴曲目演绎方面的典范。她在2012年录制的J.S.巴赫的奏鸣曲和帕蒂塔，获得了最好的国际评论家的评论。这部杰作的工作正在继续，由安妮·特蕾莎·德·基尔斯梅克尔和鲍里斯·夏尔马茨编排和舞蹈的表演 “帕蒂塔2″。她经常在全球最重要的音乐厅和音乐节上演出，例如：夏特莱剧院, 因斯布鲁克艺术节, 维也纳音乐厅等。她经常与不同的音乐团体合作，如黑角乐队、克里斯蒂安·贝祖登胡特或劳伦斯·拜尔组成的二重奏以及她自己的合奏—隐姓埋名乐队，他们为维瓦尔第的《四季》和科雷利的《大提琴协奏曲》制作的CD受到国际评论家的欢迎，被认为是演奏这一曲目的新亮点
专辑曲目:
| 1 | Mystery (Rosary) Sonata No. 1 in D Minor, The Annunciation: I. Praeludium | 00:02:01 38M |
¥12.00 |
|
|
|---|---|---|---|---|---|
| 2 | Mystery (Rosary) Sonata No. 1 in D Minor, The Annunciation: II. Variatio – Aria allegro – Variatio – Adagio – [Variatio] | 00:02:01 38M |
¥12.00 |
|
|
| 3 | Mystery (Rosary) Sonata No. 1 in D Minor, The Annunciation: III. Finale | 00:00:58 17M |
¥12.00 |
|
|
| 4 | Mystery (Rosary) Sonata No. 2 in A Major, The Visitation: I. Sonata – Presto | 00:01:29 28M |
¥12.00 |
|
|
| 5 | Mystery (Rosary) Sonata No. 2 in A Major, The Visitation: II. Allaman[da] | 00:02:00 38M |
¥12.00 |
|
|
| 6 | Mystery (Rosary) Sonata No. 2 in A Major, The Visitation: III. Presto | 00:00:40 13M |
¥12.00 |
|
|
| 7 | Mystery (Rosary) Sonata No. 3 in B Minor, The Nativity: I. Sonata – Presto – Adagio | 00:01:11 21M |
¥12.00 |
|
|
| 8 | Mystery (Rosary) Sonata No. 3 in B Minor, The Nativity: II. Courente – Double | 00:02:22 46M |
¥12.00 |
|
|
| 9 | Mystery (Rosary) Sonata No. 3 in B Minor, The Nativity: III. Adagio | 00:01:27 27M |
¥12.00 |
|
|
| 10 | Mystery (Rosary) Sonata No. 4 in D Minor, The Presentation of Jesus in the Temple: Ciacona – Adagio | 00:06:20 120M |
¥12.00 |
|
|
| 11 | Mystery (Rosary) Sonata No. 5 in A Major, The Finding of Jesus in the Temple: I. Praeludium – Presto | 00:00:50 16M |
¥12.00 |
|
|
| 12 | Mystery (Rosary) Sonata No. 5 in A Major, The Finding of Jesus in the Temple: II. Allaman[da] | 00:01:20 26M |
¥12.00 |
|
|
| 13 | Mystery (Rosary) Sonata No. 5 in A Major, The Finding of Jesus in the Temple: III. Guigue | 00:01:09 22M |
¥12.00 |
|
|
| 14 | Mystery (Rosary) Sonata No. 5 in A Major, The Finding of Jesus in the Temple: IV. Saraban[da] – Double | 00:03:04 55M |
¥12.00 |
|
|
| 15 | Mystery (Rosary) Sonata No. 6 in C Minor, The Agony in the Garden: I. Lamento – Presto | 00:02:52 53M |
¥12.00 |
|
|
| 16 | Mystery (Rosary) Sonata No. 6 in C Minor, The Agony in the Garden: II. | 00:02:07 39M |
¥12.00 |
|
|
| 17 | Mystery (Rosary) Sonata No. 6 in C Minor, The Agony in the Garden: III. Adagio | 00:00:40 11M |
¥12.00 |
|
|
| 18 | Mystery (Rosary) Sonata No. 6 in C Minor, The Agony in the Garden: IV. | 00:00:50 14M |
¥12.00 |
|
|
| 19 | Mystery (Rosary) Sonata No. 7 in F Major, The Scourging at the Pillar: I. Allamanda – Variatio | 00:02:58 57M |
¥12.00 |
|
|
| 20 | Mystery (Rosary) Sonata No. 7 in F Major, The Scourging at the Pillar: II. Sarab[anda] – Variatio – [Variatio] – [Variatio] | 00:04:16 82M |
¥12.00 |
|
|
| 21 | Mystery (Rosary) Sonata No. 8 in B-Flat Major, The Crowning with Thorns: I. Adagio – Presto – [Adagio] | 00:01:55 36M |
¥12.00 |
|
|
| 22 | Mystery (Rosary) Sonata No. 8 in B-Flat Major, The Crowning with Thorns: II. Guigue – Double I [Presto] – Double II | 00:03:27 67M |
¥12.00 |
|
|
| 23 | Mystery (Rosary) Sonata No. 9 in A Minor, The Carrying of the Cross: I. Sonata | 00:01:50 35M |
¥12.00 |
|
|
| 24 | Mystery (Rosary) Sonata No. 9 in A Minor, The Carrying of the Cross: II. Courente – Double – [Double] | 00:02:58 58M |
¥12.00 |
|
|
| 25 | Mystery (Rosary) Sonata No. 9 in A Minor, The Carrying of the Cross: III. Finale | 00:01:19 24M |
¥12.00 |
|
|
| 26 | Mystery (Rosary) Sonata No. 10 in G Minor, The Crucifixion and Death of Jesus: I. Praeludium | 00:01:08 22M |
¥12.00 |
|
|
| 27 | Mystery (Rosary) Sonata No. 10 in G Minor, The Crucifixion and Death of Jesus: II. Aria – Variatio – [Variatio] | 00:02:58 56M |
¥12.00 |
|
|
| 28 | Mystery (Rosary) Sonata No. 10 in G Minor, The Crucifixion and Death of Jesus: III. Adagio – [Variatio] – [Variatio] | 00:03:33 66M |
¥12.00 |
|
|
| 29 | Mystery (Rosary) Sonata No. 11 in G Major, The Resurrection: I. Sonata | 00:02:27 44M |
¥12.00 |
|
|
| 30 | Mystery (Rosary) Sonata No. 11 in G Major, The Resurrection: II. Surexit Christus hodie | 00:04:13 75M |
¥12.00 |
|
|
| 31 | Mystery (Rosary) Sonata No. 11 in G Major, The Resurrection: III. Adagio | 00:01:08 20M |
¥12.00 |
|
|
| 32 | Mystery (Rosary) Sonata No. 12 in C Major, The Ascension: I. Intrada | 00:00:36 11M |
¥12.00 |
|
|
| 33 | Mystery (Rosary) Sonata No. 12 in C Major, The Ascension: II. Aria Tubicinum | 00:01:13 23M |
¥12.00 |
|
|
| 34 | Mystery (Rosary) Sonata No. 12 in C Major, The Ascension: III. Allamanda | 00:01:39 30M |
¥12.00 |
|
|
| 35 | Mystery (Rosary) Sonata No. 12 in C Major, The Ascension: IV. Courente – Double | 00:02:20 46M |
¥12.00 |
|
|
| 36 | Mystery (Rosary) Sonata No. 13 in D Minor, The Descent of the Holy Spirit: I. Sonata | 00:03:02 58M |
¥12.00 |
|
|
| 37 | Mystery (Rosary) Sonata No. 13 in D Minor, The Descent of the Holy Spirit: II. Gavott[a] | 00:01:19 25M |
¥12.00 |
|
|
| 38 | Mystery (Rosary) Sonata No. 13 in D Minor, The Descent of the Holy Spirit: III. Guigue | 00:01:26 28M |
¥12.00 |
|
|
| 39 | Mystery (Rosary) Sonata No. 13 in D Minor, The Descent of the Holy Spirit: IV. Sarabanda | 00:01:35 29M |
¥12.00 |
|
|
| 40 | Mystery (Rosary) Sonata No. 14 in D Major, The Assumption of Mary into Heaven: I. [Praeludium] | 00:01:57 37M |
¥12.00 |
|
|
| 41 | Mystery (Rosary) Sonata No. 14 in D Major, The Assumption of Mary into Heaven: II. Aria – Guigue | 00:05:29 108M |
¥12.00 |
|
|
| 42 | Mystery (Rosary) Sonata No. 15 in C Major, The Coronation of Mary as Queen of Heaven and Earth: I. Sonata | 00:01:22 26M |
¥12.00 |
|
|
| 43 | Mystery (Rosary) Sonata No. 15 in C Major, The Coronation of Mary as Queen of Heaven and Earth: II. Aria – [Variatio] – [Variatio] – [Variatio] | 00:04:03 78M |
¥12.00 |
|
|
| 44 | Mystery (Rosary) Sonata No. 15 in C Major, The Coronation of Mary as Queen of Heaven and Earth: III. Canzon[a] | 00:01:21 27M |
¥12.00 |
|
|
| 45 | Mystery (Rosary) Sonata No. 15 in C Major, The Coronation of Mary as Queen of Heaven and Earth: IV. Sarabanda – [Double] | 00:02:47 49M |
¥12.00 |
|
|
| 46 | Mystery (Rosary) Sonata No. 16 in G Minor, The Guardian Angel: Passacaglia | 00:07:50 145M |
¥12.00 |
古典音乐介绍
古典音乐通常指的是西方艺术音乐的传统，这个传统从大约11世纪开始，经历了中世纪、文艺复兴、巴洛克、古典、浪漫时期，一直延续到20世纪和21世纪。古典音乐的特点是它的复杂性和多样性，它通常需要专业的训练和技巧来演奏，并且包含丰富的情感和表现力。
古典音乐的主要类型包括交响乐、室内乐、独奏、合唱和歌剧等。交响乐通常由一个大型管弦乐队演奏，包括弦乐器、木管乐器、铜管乐器、打击乐器等。室内乐则是由一个小型的乐器组合演奏，如弦乐四重奏、木管五重奏等。独奏则是单一乐器或声乐的表演，而合唱则是由多个声部的合唱团演唱。歌剧则是将音乐、戏剧和舞蹈结合在一起的综合艺术形式。
古典音乐的作曲家包括许多历史上最著名的人物，如巴洛克时期的巴赫、亨德尔，古典时期的莫扎特、海顿、贝多芬，浪漫时期的肖邦、李斯特、瓦格纳、勃拉姆斯，以及20世纪的斯特拉文斯基、普罗科菲耶夫等。
什么是FLAC格式？
FLAC（Free Lossless Audio Codec）是一种无损音频编码格式，也就是说，使用FLAC格式压缩音频文件时，不会丢失任何数据。这种格式能够将音频文件压缩至原文件大小的一半左右，而不会影响音质。由于其压缩效率高且保持音质不变，FLAC格式在音乐爱好者和音响发烧友中非常受欢迎。
FLAC格式支持多种采样率和比特率，能够处理各种类型的音频文件。同时，它还支持CUE分轨，方便用户管理和播放长音频文件，如现场录音和古典音乐作品。
与其他有损压缩格式（如MP3、AAC）相比，FLAC在音质上具有明显优势。但需要注意的是，FLAC文件通常比有损压缩格式的文件大，因此在存储和传输时可能需要更多空间和带宽。此外，FLAC格式并非所有播放器和设备都支持，这一点在使用时需要特别注意。
总之，FLAC格式是一种优秀的无损音频编码格式，适合对音质有较高要求的用户。
评论0